Humorama Rivals Sexual Innuendo - Nifty Nick
Posted: Thu Nov 16, 2023 5:48 pm
I know I'm walking a fine line here - sexual innuendo is even further from spanking than the "Behind in Jeopardy" stuff - and yet I find it at least a little interesting to peruse these old cartoons. I think for me it's mostly trying to understand how these humor magazines finally reached the apex of their development with spanking cartoons, and eventually I'll do a special on the course of that development with I hope mostly cartoons we haven't seen before, but for now let's take a look at some admittedly rather questionable efforts with a variety of weaknesses which I will duly point out.
First we have two cartoons from Gerald Green, whose primary weakness is that his gags are, well, weak
(he draws terrible behinds, also). They are quite similar, with "Bob" in the first apparently evolving sometime later into Nifty Nick, the mascot of Nifty.

From Smiles #64 - I forgot to note the year, if I ever knew it. The only humor elements here are the girl's nudity and Bob's lascivious nature.

From Nifty (November 1955).
They're both water-themed gags, with the second being a little better and featuring the familiar "goosing" motif we also saw recently with Touring Tessie down on the farm. A lengthy commentary is unnecessary here, but Nick was always a bit seedy-looking. This suited Green's drawing style, and if you wanted a portrayal of decadence, say an illustration of the Kit Kat Club in Berlin during the waning days of the Weimar Republic (from the musical Cabaret and its predecessors, I am a Camera and the stories of Christopher Isherwood, of course), Green would have been your guy. But for rollicking humor, sexy girls, or sizzling eroticism? Not hardly.
First we have two cartoons from Gerald Green, whose primary weakness is that his gags are, well, weak


From Smiles #64 - I forgot to note the year, if I ever knew it. The only humor elements here are the girl's nudity and Bob's lascivious nature.

From Nifty (November 1955).
They're both water-themed gags, with the second being a little better and featuring the familiar "goosing" motif we also saw recently with Touring Tessie down on the farm. A lengthy commentary is unnecessary here, but Nick was always a bit seedy-looking. This suited Green's drawing style, and if you wanted a portrayal of decadence, say an illustration of the Kit Kat Club in Berlin during the waning days of the Weimar Republic (from the musical Cabaret and its predecessors, I am a Camera and the stories of Christopher Isherwood, of course), Green would have been your guy. But for rollicking humor, sexy girls, or sizzling eroticism? Not hardly.